Los Angeles, 1966 — At RCA Studios, The Rolling Stones stepped beyond blues‑based rock and into new territory. What emerged was Paint It, Black, a darker, experimental sound that would shape rock’s future.
This session wasn’t just a recording — it was a moment of identity expansion.
Brian Jones’ use of sitar was unprecedented for British rock — fuelling tension, repetition, and a psychedelic shift.
Inside the late‑night studio, intense focus and creative risk defined every note.
This film captures when rock changed direction, not on stage, but in the heart of the process.
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